It is difficult to describe in words Milton Jones' new show. It will be even more difficult to describe it without giving anything away. Nevertheless, the challenge must be squared up to, and the show explained as much as explanation can allow.
Well, first I want to tackle the humour. I have long been a fan of Milton Jones, way back when he was just a quirky one-liner and neither his face nor his garish shirts had appeared on the small screen of the telly in my room. To some Milton Jones is simply the 'old grandfather', as Russell Howard described him, on Mock the Week, coming out with random yet somehow relevant puns and punchlines every so often, I should fill you in a little perhaps. To others attuned to and tuned into the radio Milton might also be known as the lead in three different yet similarly styled shows,
The Very World of Milton Jones, The House of Milton Jones and
Another Case of Milton Jones. These shows were, perhaps, at the risk of seeming over-the-top, since they seemed to showcase his one-line style by writing them into a storyline in a way that could to some seem manufactured. Although I liked them, I am the kind of person who doesn't tire of strings of one-liners. With that in mind, when I heard that he was moving to the medium of TV and producing a sitcom, I was, I admit, wary at first. Were we to have more of the same?
The answer, I think, is no. Although there are some one-line jokes, my favourite of which being 'I like to do whatever I can to fight poverty - only the other day I punched a tramp', the show is more interesting and diverse than that. The combination of his one-line style with visual effects produces a different, and funnier, feel to it. A moment that really got to me was near the opening of the show, when the gas salesman first appears (he also appears, without giving anything away, in a scene near the end). At this point, in response to the question 'where does your gas come from?' Milton presses a button (as he noted in an interview, the cinematography is very much in the style of
Spaced) and he launches into a history of the universe to explain fossil fuels with his own... unique visual aids.
Next under the microscope is storyline. So, the first episode has got a
very basic storyline: Milton's mother rents out various rooms to different people and Milton still lives with her, the mummy's boy. He fancies one of the tenants, but doesn't have the whiskey that would give him the bravado to approach her with anything tantamount to confidence. The new tenant, Paul (ironically), is a charmer and a threat to this relationship-to-be. Presumably this 'will they won't they' situation will persist for some time. So a funny show with a basic storyline, just like most of the current shows on the market? No. I am very happy to say that this show is just a little bit different. Yes, it might have a basic storyline at its heart. But, and this is a big butt about which I cannot lie, the show uses the basic storyline framework in order to introduce other, broader themes and social commentary. In this case, and here we come to the nub of the title, it's the gas man. I mentioned earlier that the gas salesman reappears later in the show, if you remember. I am trying not to give anything away, but gasmen, and the lengths to which they will go to secure you change to their company, is the real issue that lurks, just like a salesman in fact, just outside the metaphorical door, and around the metaphorical turn. If you want to understand the hows and whys, you'll just have to watch it for yourself, an act I can thoroughly recommend.